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Location: Messeturm,
Frankfurt, Germany
Size: 70 FeetThe Hammering Man was
commissioned in 1990 by Jerry Speyer for the new Messeturm building in
Frankfurt (architect: Helmut Jahn). The Hammering Man is a symbol for
the worker in all of us. The motorized arm of the hammering man
continuously swings its hammer back and forth - from the mind to the
hand and back again. We all use our minds and our hands to create our
world. I like to say 'between the mind and the hand, there is the
heart.'
I made my first "worker" (Hammering Man)
in 1979, when I used it as part of my installation at the Paula Cooper
Gallery. I cut this first Hammering Man out of plywood (11 feet tall),
painted it black and got some help with the motor for the arm. My
original concept was to have many Hammering Men, all hammering at
different locations around the world - all at the same time. In fact
today, there are quite a few wooden "indoor" Hammering Men (different
sizes) that exist in different places as well as several large steel
outdoor variations. The largest Hammering Man to date is the 70 foot
piece in Frankfurt shown here. A 72 Hammering Man is now being completed
for Seoul, Korea. Other outdoor Hammering Men are in Los Angeles,
Dallas, Basel and Seattle.
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Early Installation References |
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B1
Museum Boymans-van Beunigen, Rotterdam, 1982 |
B2
Berkeley Museum, 1985 |
B3
Documenta, Kassel, 1982 |
B4
Documenta, Kassel, 1982 |
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B5
Kunsthalle, Basel, 1981 |
B6
Kunsthalle, Basel, 1981 |
B7
Kunsthalle, Basel, 1981 |
B8
LA Contemporary Museum, 1986 |
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B9
LA County Museum, 1981 |
B10
Moderna Museet, Stockholm, 1984 |
B11
My Studio, New York City, 1976 |
B12
Paula Cooper Gallery, New York City, 1980 |
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B13
Philadelphia Museum, 1984 |
B14
Van Hedendaagse, Ghent, Belgium, 1982 |
B15
Walker Art Center, Minneapolis, 1985 |
B16
Walker, Minneapolis, 1985 |
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B17
Walker Art Center, Minneapolis, 1985 |
B18
Whitney Museum, New York City, 1981 |
B19
Whitney Museum, New York City, 1981 |
B20
Whitney Museum, New York City, 1984 |
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B21
Whitney Museum, New York City, 1984 |
B22
Whitney Museum, New York City, 1984 |
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